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In his last works, the self-portraits of 1995-2000 William’s style changes dramatically. Polini points out how the artist excludes himself from the circles of talking figures and, when he does show himself, places his figure in a separate world : sleeping and dreaming in Bed, communing with mute animals in Snow.Ĭonversation Pieces on display at Loyola University Museum of Art, Chicago, USA. These late pictures are dedicated to her but also attempt to speak to her as the artist is gradually losing his capacity for verbal communication. She is William’s strongest emotional anchor to his world.
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Polini also sees the centrality of Patricia Utermohlen in all the pictures as psychologically important. In parallel, the artist concentrates on strong and simple sensorial impressions : the sound of voices, the taste of coffee, wine, and cigarettes, the feelings of warmth and cold, again in an attempt to fix his perceptions before they slip away. According to Dr Polini the artist tries to fix these on canvas in an attempt to preserve his spatial and temporal bearings and the precarious happiness of which his wife speaks.
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Patrice Polini underlines the spatial and temporal nature of the series’ titles : the district (Maida Vale), the postal code (W9), the time of day (Night), the season (Snow), the room (Bed), the event taking place (Conversation). In his analysis of the Conversation Pieces, the French psychoanalyst, Dr. Clearly the artist’s most openly biographical pictures, this cycle centers on his wife, his friends, and his immediate environment : the objects, books, and paintings that have made his life meaningful and towards which he feels the greatest attachment. They are premonitions of a new world of silence and sensory deprivation about to close in on the artist. However, signs of the disease that is about to strike William are also apparent in the shifting perceptions of space, objects, and people. These works, which can be seen as a celebration of Patricia and William’s life together, describe the warmth and happiness of their apartment and the joy they took in the companionship of friends. Signs of his illness are retrospectively apparent in the work of the early 90s notably in the “Conversation Pieces”. In 1995 William Utermohlen was diagnosed as suffering from Alzheimer’s disease.
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The "War" series of 1972 alluding to the Vietnam war,Īnd finally the "Conversation Pieces", the great decorative interiors with figures, of 1989-1991. The "Mummers" cycle of 1969-1970 depicting characters from South Philadelphia’s New Year’s Day parade, The "Cantos" of 1965-1966 inspired by Dante’s Inferno, William Utermohlen : A Persistence of Memory - Loyola University Museum of Art, Chicago, USA.Īpart from portraits, still lives and drawings from the model, William’s art can be arranged in six clear thematic cycles :
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In the 1980s he painted two major murals for two great North-London institutions, the Liberal Jewish Synagogue at Saint John’s Wood and the Royal Free Hospital in Hampstead. London life and London characters have most particularly marked his numerous portraits which constitute one of the richest aspects of his work. In 1967 he received his first important London show at the Marlborough gallery. In 1962 he settled in London, where he met and married the art historian Patricia Redmond. bill at the Ruskin School of Art in Oxford in 1957-58.
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He studied art at the Pennsylvania Academy of Fine Arts from 1951 to 1957 and on the G.I. William Utermohlen was born in south Philadelphia in 1933. (Born Philadelphia, 5 December 1933 – Died London, 21 March 2007) The program is offered in partnership with Northwestern University’s Cognitive Neurology and Alzheimer’s Disease Center. The exhibition William Utermohlen : A Persistence of Memory, curated by Chris Boicos and Jennifer Norback, is held in conjunction with LUMA’s ilLUMAnations program that uses the arts to engage Alzheimer’s patients and their caregivers. His last works, 1990-2000, constitute a rare testimony to the inner life of a patient suffering from Alzheimer’s disease, documenting the gradual decay of his mind. Utermohlen was diagnosed as suffering from Alzheimer’s disease in 1995 and passed away in 2007.